He does not even take a moment to consider the possible ramifications for completing such a plot. It seems, from this moment on, that Iago has made his decision to destroy Othello at all costs. As the audience is about to find out, Iago suspects Othello of being with his wife, Emilia, and as things stand, Iago also holds a personal grudge towards Othello, due to Othello’s appointment of Cassio to lieutenant. He goes on to say that “but seeming so for my peculiar end/For when my outward action doth demonstrate/The native act and figure of my heart/In compliment extern, ’tis not long after/But I will wear my heart upon my sleeve/For daws to peck at. He is in full control and Othello is just a means to an end. Further, any plans that he might have involving Othello’s future Iago feels no remorse for, knowing that heaven will be his judge, but he can act without compromise now. Indeed, Iago is set up as the antagonist from the very first lines of the play where he cites that “were I the Moor I would not be Iago/In following him I follow but myself/Heaven is my judge, not I for love and duty” (Act I, scene I, lines 57-59), roughly meaning that he does not follow Othello out of love or duty for his superior officer. Thus, from the essential starting point, the audience is clearly aware of the events about to transpire and Iago’s dark plans for all characters within his path. This in itself is not a unique literary device, however, but it is in the first Act that Iago’s soliloquy occurs. Theatre students also have opportunities to work with the best professional theatre companies in the Atlanta area, including the Actor’s Express, Alliance Theatre, Georgia Ensemble Theatre, and Georgia Shakespeare.Shakespeare used Iago in a unique fashion in Othello, allowing him to have soliloquy’s that explain his entire plot to the audience. Oglethorpe University offers a unique minor in Shakespeare and Renaissance Studies - the first of its kind - that offers a detailed and in-depth exploration both of Shakespeare’s works and the Renaissance culture in which he lived and worked. Tickets are $10 at the door for non-members and free with a Petrel Pass or museum membership. Featuring music from Giuseppe Verdi’s masterpiece opera “Othello,” this entry in the Skylight Gallery Concert Series will be performed by guest musicians from Capitol City Opera, at Atlanta-based opera company. Leading up to the premiere of “Othello,” the Oglethorpe University Museum of Art will host a concert in its spacious Skylight Gallery on Sunday, Mar. For tickets, visit Eventbrite or call the Conant Box Office at 40. General admission is $10 for the public and free for Oglethorpe students, faculty and staff. “Othello” will run at Oglethorpe’s Conant Performing Arts Center from March 10 – 13. However, old patterns of racism, xenophobia and jealousy threaten to destroy the characters’ hopes for a better world. Society has splintered apart and groups of well-intended citizens have set off to build new, more equitable communities. Oglethorpe University Theatre will build on those themes in this original adaptation, in which the setting of the Ottoman-Venetian War in the 1570s is replaced with a more contemporary setting. Because Othello is person of color in a largely white Venetian society, themes of race play heavily into this tale of envy and passion. To this end, Iago begins to stoke insecurity and doubt into Othello’s relationship with his new wife, the much younger and wealthier Desdemona. Fueled by rage, Iago swears vengeance upon Othello. In Shakespeare’s original play, well-respected general Othello overlooks his ensign, Iago, for a promotion in favor of the inexperienced Cassio. Oglethorpe University Theatre has announced its upcoming student production for the spring semester, which puts a modern twist on a classic tale: Shakespeare’s “Othello,” set in a not-too-distant future.
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